Resolve’s Source Tape - an end-to-end assembly of all available clips - will reassemble itself in real time as different levels are selected.Īnd then there’s the Sync Bin, which Petty described as “like a digital assistant that sorts clips for you.” It sorts through all of your clips and, by analyzing date and timecode, shows you only the ones that are sync’d to the point you’re at on the timeline. For example, editors will now be able to organize media in different folders, and only clips from folders beneath the currently selected level will be visible. In a demonstration that was live-streamed this afternoon (check the Blackmagic home page if you want a replay) Blackmagic Design CEO Grant Petty showed off a variety of new features on the Cut page based, more or less, around the sorting of footage so that relevant clips can be automatically retrieved for easy addition to a timeline.
At the same time, it introduced a new assortment of features for beta-testing, most of them aimed at making editorial work on the software’s already speedy Cut page even faster. The company said it was calling time on the release of v16.0 in order to ensure that studios could update to a stable version in time for the new television programming season.
Can’t stop, won’t stop: Blackmagic Design today announced the final release of DaVinci Resolve 16.0 and then immediately opened a public beta of Resolve v16.1 with a host of new features.
0 kommentar(er)
